E.T.A.: PHOENIX

by: NICK ZAGONE

Copyright © 2004 by Nick Zagone

CAUTION: Professionals and amateurs are hereby warned that E.T.A.: Phoenix is subject to a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright convention and the Universal Copyright Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including professional and amateur stage performing, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound taping, all other forms of mechanical or electronic reproduction, such as information storage and retrieval systems and photocopying, and the rights of translation into foreign languages, are strictly reserved.

Inquiries concerning all rights should be addressed to the author at zagonenick@icloud.com or facebook.com/nickzagone

CHARACTERS

JOHN PACENTINI JR.: a salesman, 29 years old
JOHN PACENTINI SR. or DAD: John's dead dad, was a salesman. (Dad also inhabits the character
of Popo the Clown.)
BABE DUPREE: saleswoman, 30, John's ex-fiancé
DICK: salesman, one of Dad's cronies, pushing 70
SMITTY: same
SHELLY UNDERWOOD: a saleswoman, pushing 60, tried to be one of Dad's cronies
BEATRICE FRENCH or BERT: a saleswoman, pushing 30, works for Shelly
GREG DELVECKIO: a successful salesman, 27
VALDOFF: an alien
 
Whenever each character first appears, dates of birth should be indicated wherever and however possible. And then they should disappear.
 
TIME AND PLACE
Around the millennium. The Western United States.
 
SET
The set should be non-naturalistic and fantastical. The dotted line of a freeway stripe flows through the audience, up the stage and out into nowhere. There are freeway signs, as well as several restaurant and hotel chains. There are no main playing areas. There is the essence of a hotel room with a Murphy Bed and perhaps an upper level hidden by a curtain or swinging doors that reveal restaurant scenes and the like.
 
NOTE
The pace of the play should be speedy and the characters should be larger than "larger than life."

THE PLAY:

PAGES 1-10

PAGES 11-20

PAGES 21-30

PAGES 31-44

PAGES 45-54

PAGES 55-64

PAGES 65-74

PAGES 75-83

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